Voyagers review: Lord of the Flies in space is full of mystery
Lord of the Flies #LordoftheFlies
Lily-Rose Depp stars as Sela
Courtesy of Lionsgate
Voyagers opens in the year 2063 with Earth on the brink of destruction due to climate change. After discovering a new planet 86 years away, scientists genetically engineer children, raise them in isolation, and send them to this distant world so that their offspring will ultimately colonise it and save mankind.
Ten years into their journey, they start to question their lives onboard the spaceship Humanitas when Christopher (Tye Sheridan) discovers that they’re being drugged to suppress their personalities. Mission commander Richard (Colin Farrell) originally tries to squash their concerns, but the teenagers on-board begin to reject their docile existence.
During this period Voyagers showcases plenty of potential. Writer and director Neil Burger, who previously showed a dab-hand for overseeing young adult stories and sci-fi films with Divergent, doesn’t get bogged down in the detail of why they’re leaving Earth. Instead, he sets it up in a succinct and expert fashion, as well as teasing the psychological struggles that the teenagers will go on to confront.
Voyagers has an impressive young cast that’s able to realistically depict these issues, too. Sheridan, Fionn Whitehead, and Lily-Rose Depp become more and more convincing as their characters turn from passive passengers to increasingly intrigued individuals.
Throughout Burger continues to add to the sci-fi thriller’s sense of foreboding and mystery. Cinematographer Enrique Chediak’s eerie visuals and production designer Scott Chambliss’s sleek but claustrophobic set also enhance this ambience, while Burger incorporates moments of cinematic flair that suggest Voyagers might actually build to something that’s both epic and resonant.
It doesn’t take long for Voyagers to falter, though.
All of the thematic possibilities it originally flirted with exploring dissipate away, replaced by a predictable plot that’s reminiscent of dozens of stories told before it. In fact, as it progresses, it just begins to play out like a carbon copy of William Golding’s seminal 1954 novel Lord of the Flies. Minus the gravity.
Even though it continues to look pretty, there’s a complete lack of depth, tension, and surprise. Voyagers just merely plods along exactly as you expected, as its haunting aesthetic and premise escapes from the film like air leaving a deflating balloon.
At least the performances remain strong, as the cast gallantly try their best to inject some much needed energy and heart into proceedings. But the absence of any characterisation leaves Voyagers feeling hollow.
Its final act in particular is especially grueling to watch. Burger finally tries to ramp up the action and spectacle. But, by this point, you’ll have long given up caring for any of the characters involved, let alone whether or not they’re actually able to save humanity from extinction.
Voyagers is released in the UK on July 2.
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