Valerie Goodwin charts a life of art at retrospective exhibit

The Anderson Brickler Gallery has mapped out a space for artist Valerie Goodwin to show off the intricate labor of love that a unique perspective on quilting can bring in “Mapping: The Work of a Textile Artist” exhibit. Goodwin will give a talk about the retrospective on Dec. 10 and the exhibit through Dec. 28.

Building a solid foundation

Quilting and textile art have long been art fueled by necessity. The layering and sewing together of different fabrics and materials created a source of protection from the elements. Over the years, this widely female artisan practice evolved into a complex art form. It is this complexity and detail-focused making that caught Valerie Goodwin’s eye.

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She has always been drawn to working with small parts because of her patience and joy of building. Yet, it was not until she began her educational journey at Yale University that she encountered an art form that would change her life. “I discovered architecture by accident,” admits Goodwin.

“When I was at Yale, I always took an art class. Fortunately, the art and architecture was a large building, and it had architecture as well as art in it. And I was just roaming about the building, and I saw all these people in the midst of all these drawings, design ideas, model making. I mean, there was just a certain energy that I was drawn to, and I immediately decided to change my major… It was one of the best decisions I ever made. “

Valerie Goodwin’s new exhibit, “Mapping: The Work of a Textile Artist” is on display at the Anderson Brickler Gallery through Dec. 28, 2022.

Goodwin’s tenure as an architecture professor at Florida A&M University began in 1994, during which time she perfected a process of artistry that combined the maps and lines of architectural structures with the tools used in traditional quilt and textile making. Her work has been shown across the country, from New York City and Washington D.C. to the hometown galleries of Tallahassee.

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Goodwin acknowledges that her knowledge of architecture had a significant influence on her artwork, with the symbiotic relationship shaping her understanding and experience as an artist. “Architecture is about the big picture, and with art, it becomes a more intimate space; however, you must know something about different disciplines that tie together the whole.”

“Shifting Landscapes” is among Anderson Brickler Gallery’s Fall 2022 exhibit Mapping: The Work of a Textile Artist by Valerie S. Goodwin, which runs through Dec. 28.

Thinking like a quilter

Any educator will proudly admit that they are continuously learning from their students. It keeps one fresh and relevant and, at times, may even affect one’s own artistry. In addition to her own private pursuit of quilting knowledge, Professor Valerie Goodwin speaks of her students as inspiration. “I was using architectural ideas about composition in my work. I found myself using some of the things my thesis students were studying. I sort of incorporated some of their ideas, mainly areas of art.” Goodwin continues, “I saw a way of applying it in my way of thinking about the design.”

Goodwin does not work in traditional patchwork and instead relies on instinct and knowledge of the basic principles of design to improvise and think like a quilter. Her access to FAMU’s facilities over her career has provided Goodwin with the tools to establish a unique approach to textiles, primarily using a laser cutter to create intricate lace lines.

Goodwin’s making process uses various mediums and practices like hand stitching, applique, and fusing. Goodwin will often fuse the small pieces depending on the desired goal and then sew on top of those pieces. These layers have become a signature style in her work.

Valerie Goodwin’s “Meanderings of an Imaginary River” is part of the Fall 2022 exhibit Mapping: The Work of a Textile at Anderson Brickler Gallery.

The evolution of an artist

The ability to intricately weave layers together to create one extensive work of art has become Goodwin’s artistic superpower. Her current show, “Mapping: The Work of a Textile Artist,” at the Anderson Brickler Gallery retrospectively witnesses this power throughout her career, which evolves from pure abstraction to paintings of real maps to maps as an abstraction. In her latest work, the language of lines mirrors a map yet seems to feed the canvas like veins do a heart — beating at every turn.

Goodwin reflects on this evolution as seen through this show. “This is the first time I’ve had kind of a retrospective where I show my very first work up to my most recent work. So it was interesting to see the work up in the space in the room and sort of contemplate how I have evolved in textile art.” Goodwin reflected that she noticed her magnetism toward specific colors, and she holds a deep love for layering. Her desire to work within the overlap of realistic and abstract is a fine line she enjoys walking.

Mapping: The Work of a Textile Artist has been showing at the Anderson Brickler Gallery since October and will continue until late December with a special Artist Talk by Goodwin from 3-4 p.m. Saturday, Dec. 10. Goodwin hopes that those attending will recognize that quilting and textile, although primarily seen as domestic activities, can be viewed as worthy works of art.

IF YOU GO

What: Mapping: The Work of a Textile ArtistWhen: Through Dec. 28; artist talk at 3 p.m. Dec. 10Where: Anderson Brickler Gallery, 1747 S. Adams St.Cost: FreeContact: contact@andersonbricklergallery.comTickets: andersonbricklergallery.com

Dr. Christy Rodriguez de Conte is the feature writer for the Council on Culture & Arts (COCA). COCA is the capital area’s umbrella agency for arts and culture (www.tallahasseearts.org).

This article originally appeared on Tallahassee Democrat: ‘Mapping’ exhibit follows the thread of fabric artist Valerie Goodwin