Patty Jenkins’ ‘Wonder Woman 3’ Treatment A No Go Under New Peter Safran-James Gunn DC Administration; Axing Comes A Day After Gal Gadot’s Hopeful Tweet For Sequel
Gunn #Gunn
In the first big bold move by the new heads of DC, James Gunn and Peter Safran, Deadline has confirmed that they’ve put the kibosh on Patty Jenkins’ treatment of Wonder Woman 3. The filmmaker was expected to hand in a screenplay we understand, and instead the new bosses got pieces of paper which just weren’t suitable.
All of this goes down a day after a curious tweet from Wonder Woman Gal Gadot who thanks fans for playing the femme superhero, telling them “Can’t wait to share her next chapter with you”
It’s an obvious sign that Gunn and Safran are wanting to start anew, and clear the Warner Bros. decks of the previous Zack Snyder-designed DC franchises. What’s next? A complete recasting of key DC superheroes? That said, the duo haven’t made it known to studio insiders what their grand design is for other DC characters. This take on Wonder Woman 3 just wasn’t suitable at this time.
One source close to the situation told Deadline that Jenkins could very well hand in another take on the superhero, but that’s not evident that will happen.
There was loose talk out there that talks broke down with Henry Cavill to reprise Superman, despite his Instagram announcement to return before Safran and Gunn took the top job, however, there’s no script or director or greenlight for that the next Man of Steel movie. There are staffers at Warners who remain in the dark as to what Gunn and Safran’s grand design is, however, they’re focusing squarely on story and how the movies will interconnect with TV series.
Wonder Woman 3 was promptly announced in the wake of the theatrical day-and-date bombing of Wonder Woman 1984. Warners held the movie through the pandemic, but decided to go theatrical and on HBO Max at Christmas 2020; the first title in the Jason Kilar run WarnerMedia HBO Max dynamic window experiment. While the first Wonder Woman in 2017 was a box office revolution for a movie directed by a female earning over $822M, the sequel was greatly panned at 58% Rotten on Rotten Tomatoes and a B+ Cinemascore to the first chapter’s A. This despite the fact that it was shackled at the box office by major markets LA and NYC cinemas closed due to Covid. Wonder Woman 1984 made under $170M WW, with under $47M stateside.
Jenkins said at the first CinemaCon that returned from Covid in August 2021 that the day-and-date of Wonder Woman 1984 was “the best choice in a bunch of bad choices at the moment” and a “heartbreaking experience.”
“I don’t think it plays the same on streaming, ever,” she said at the time, “I’m not a fan of day-and-date and I hope to avoid it forever.”
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