‘His House’ and more of the best new horror movies to watch this Halloween at home

© Provided by The LA Times Ṣọpẹ́ Dìrísù as Bol Majur, left, and Wunmi Mosaku as Rial Majur in Remi Weekes’ “His House.” (Aidan Monaghan / Netflix)

Terror strikes beyond cheap jump scares in one of the best new horror movies of the Halloween season as an immigrant couple seeking asylum in the U.K. discovers a sinister presence lurking within the walls of their new home.

In Remi Weekes’ haunting feature debut “His House,” acquired by Netflix out of Sundance and streaming Friday, husband and wife Bol (Ṣọpẹ́ Dìrísù) and Rial (Wunmi Mosaku of “Lovecraft Country”) are still shaken after fleeing war-torn South Sudan when they’re assigned to a decaying unit in a public housing estate outside of London.

There, amid hostile neighbors and a daunting new city, Rial struggles to adjust to their new life as Bol eagerly forges ahead. But shadowy specters and strange visions begin to plague the couple as ghosts from their past threaten their future, and the psychological unraveling that ensues is at once heart-wrenching, harrowing and gorgeously nightmarish.

© (Aidan Monaghan / Netflix) Ṣọpẹ Dìrísù as Bol in a nightmarish sequence in “His House,” one of several scenes achieved with practical effects and meticulous storyboarding. Weekes: “I came from a background where we had to learn to make films for nothing, so it was very much a DIY spirit.” (Aidan Monaghan / Netflix)

The filmmaker, who cites Alfred Hitchcock, Stanley Kubrick and Apichatpong Weerasethakul among his influences, grew up loving and devouring cinema — but rarely saw perspectives and experiences like his own onscreen.

Making the jump from short-form and commercial production to his feature film directing debut, Weekes scripted “His House” from a story by Felicity Evans and Toby Venables, writing cultural specificity into his lead characters as South Sudanese refugees and drawing on his own background and the experiences of multigenerational immigrants he knew.

“I’m a person of color and the people I grew up with in London are first-, second- and third-generation immigrants,” Weekes told The Times. “Being in such a Western country, such a white country, a lot of the conversations we have are about assimilation. It’s always a question of how far you’re willing to give up or surrender to the culture to fit in, how much you’re willing to let go of your past and your history for security.”

© (Aidan Monaghan / Netflix) “There’s one sequence in the film where Rial (Wunmi Mosaku) is walking through the suburbs,” said Weekes. “It was a very heavy nod to the maze walk [in ‘The Shining’] — I thought we’d try to mirror that with a South Sudanese woman walking through a really uncomfortable British town.” (Aidan Monaghan / Netflix)

Adding a supernatural twist inspired by Sudanese folklore, Weekes brought the spirits haunting his characters to life using practical effects and in-camera tricks and textured lighting design. He worked with cinematographer Jo Willems to create viscerally dread-inducing chambers within the peeling walls of the home, shot both on location on an actual housing estate and on a soundstage.

In his writing process, Weekes looked to the experiences of real asylum-seekers to fold realistic details into the home life of Bol and Rial and anchor their journeys in emotional authenticity.

“One thing that resonated was that when you get given a house in the U.K., you have to abide by really cruel and medieval rules,” Weekes said. “You’re not allowed to move. You have to stay in this house. You’re not allowed to work. You’re given a weekly allowance, but it’s very small.”

“When I read firsthand accounts of what it was like for asylum seekers to be in this space, it was very retraumatizing for them. It’s like this cruel waiting space. You’re left almost reliving the experience it took to get here,” he added. “I found it a really interesting place to start the story.”

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With trick-or-treating and ghoulish gatherings off the candy table this year, what else can a hungry horror hound devour over the Halloween weekend? Spooky tales of witches (“The Witches” on HBO Max), more witches (Blumhouse’s “The Craft: Legacy,” Paramount’s “Spell”), vampires (Netflix charmer “Vampires vs. The Bronx”) and even monsters in your kid’s iPad (Focus Features’ “Come Play”) abound, but dig further and discover unexpected frights with these new and recent horror gems:

“Bad Hair”

Elle Lorraine stars in writer-director Justin Simien’s (“Dear White People”) hirsute horror-comedy as an aspiring VJ in 1989 Los Angeles who goes to desperate lengths to transform her looks and chase her dream career. Available on Hulu.

“Synchronic”

A volatile new designer drug wreaks havoc in the lives of two New Orleans paramedics (Anthony Mackie and Jamie Dornan) in this time-traveling sci-fi horror from indie duo Justin Benson and Aaron Moorhead (“Spring,” “The Endless”). In selected theaters and drive-ins.

“May The Devil Take You Too”

The sequel to filmmaker Timo Tjahjanto’s Indonesian haunted house pic “May The Devil Take You” serves up some of the most exciting “Evil Dead”-esque frights of the year on streaming platform Shudder (which also offers the new “Creepshow Animated Special” ahead of the anthology’s upcoming second season, as well as a festively grinning “Ghoul Log” screen to keep your Hallows Eve spirits burning).

“Influenza”

Remember when “Parasite” won the Oscars in the beforetimes? Inject more Bong Joon Ho into your veins with “Influenza,” his 28-minute 2004 short tracking a man through a series of escalating violence seen entirely via security camera footage. Available to watch via the Criterion Channel.

“Relic”

Filmmaker Natalie Erika James, writing her own experiences into her critically acclaimed debut feature, mines psychological and emotional dread from the tale of a mother, a daughter, and a dementia-suffering grandmother confronted with the inevitability of mortality as well as a mysterious black mold. Released earlier this summer, it is available on VOD.

“Hubie Halloween”

While the relatively wholesome yet inane delights of “Hubie Halloween” don’t make up for the previous five comedies Adam Sandler unleashed on audiences in his ongoing and lucrative Netflix deal, it’s the purest and most Halloween-y tale of any new spooky release of 2020 — a perfect flick to turn on while sipping hot apple cider and digging into the candy stash while dreaming of future Halloweens.

This story originally appeared in Los Angeles Times.