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‘Greyhound,’ ‘Tenet’ Win at Motion Picture Sound Editors’ Golden Reel Awards
“Tenet,” “Eurovision Song Contest,” “The Trial of the Chicago 7” and “Greyhound” have won feature-film awards at the Motion Picture Sound Editors MPSE Golden Reel Awards, which took place on Friday evening in a virtual event. The MPSE divides the art of sound editing into several different categories, with “Tenet” winning for underscore, “Eurovision Song Contest” for music, “The Trial of the Chicago 7” for dialogue/ADR and “Greyhound” for effects/foley. In the past, the last of those categories has most closely corresponded to the Academy Award for Best Sound Editing — but that Oscar category was merged with the Best Sound Mixing category into a single Best Sound category this year. “Greyhound” is nominated in that category, along with “Soul,” “Mank,” “News of the World” and “Sound of Metal.” Also Read: Oscar Nominated ‘Sound of Metal’ Sonic Designer Breaks Down the Film’s Profound Final Scene “Soul” won for sound editing in an animated feature, while “The Eight Hundred” won for a foreign-language feature and “The Reason I Jump” for a documentary feature. In the television categories, “The Queen’s Gambit” won three awards, including one in which it tied with “Star Trek: Picard” in the effects/foley category. “The Mandalorian” won two, with additional awards going to “Servant” and “Vikings.” “The Last of Us Part II” won a pair of awards in the computer-game categories. “Mad Max: Fury Road” director George Miller received the Filmmaker Award, while sound mixer Dennis Drummond was given the Career Achievement Award. Also Read: What Does a Torpedo Sound Like? Watch a ‘Greyhound’ Scene With 3 Different Audio Tracks The winners: Filmmaker Award: George MillerCareer Achievement Award: Dennis Drummond CATEGORY WINNERS Outstanding Achievement in Sound Editing – Feature Animation“Soul” (Disney) Supervising Sound Editor: Coya Elliott, Ren Klyce Sound Designer: Ren Klyce Sound Effects Editors: Kimberly Patrick, Jonathan Stevens, Steve Orlando Supervising Dialogue Editor: Cheryl Nardi Foley Editors: Thom Brennan, Dee Selby Foley Artists: John Roesch, MPSE; Shelley Roden, MPSE Music Editors: Sally Boldt, Justin Pearson Outstanding Achievement in Sound Editing – Feature Documentary“The Reason I Jump” (Vulcan Productions) Supervising Sound Editor: Nick Ryan Sound Effects Editors: Laurence Love Greed, Alexej Mungersdorff, Jack Wensley Dialogue Editor: Jamie McPhee Foley Editor: Srdjan Kurpjel Outstanding Achievement in Sound Editing – Foreign Language Feature“The Eight Hundred” (CMC Pictures) Supervising Sound Editor and Editor: Kang Fu Sound Effects Editor: Steve Miller Dialogue Editor: Ai Long Tan Foley Artist: Lan Long Music Editor: Fei Yu Outstanding Achievement in Sound Editing – Feature Underscore“Tenet” (Warner Bros.) Supervising Music Editor: Alex Gibson Music Editor: Nicholas Fitzgerald Outstanding Achievement in Sound Editing – Feature Musical“Eurovision Song Contest: The Story of the Fire Saga” (Netflix) Music Editors: Allegra De Souza, Peter Oso Snell, MPSE; Jon Mooney Outstanding Achievement in Sound Editing – Feature Dialogue / ADR“The Trial of the Chicago 7” (Netflix) Supervising Sound and ADR Editor: Renee Tondelli Dialogue Editors: Michael Hertlein, MPSE; Jeena Schoenke, Jon Michaels Outstanding Achievement in Sound Editing – Feature Effects / Foley“Greyhound” (Apple TV+) Supervising Sound Editors: Warren Shaw, Michael Minkler Associate Supervising Sound Editor: Will Digby, MPSE Sound Designers: Ann Scibelli, Jon Title Sound Effects Editors: Jeff Sawyer, Richard Kitting, Odin Benitez, MPSE; Jason King Foley Editor: Luke Gibleon Foley Artist: Marko Costanzo Outstanding Achievement in Sound Editing – Live Action Under 35:00“Servant”: “2:00” (Apple TV+) Supervising Sound Editor: Sean Garnhart Sound Effects Editor: Mark Filip Dialogue Editor: Michael Feuser Music Editor: Lesley Langs Foley Editor: Julien Pirrie Foley Artist: Gareth Rhys Jones Outstanding Achievement in Sound Editing – Episodic Short Form – Music“Vikings”: “The Best Laid Plans” (Amazon) Music Editors: Yuri Gorbachow, MPSE; Lise Beauchesne Outstanding Achievement in Sound Editing – Episodic Short Form – Dialogue/ADR“The Mandalorian” Season 2: “Chapter 13: The Jedi” (Disney+) Supervising Sound Editors: Matthew Wood, David Acord Dialogue Editor: Richard Quinn ADR Editor: James Spencer Outstanding Achievement in Sound Editing – Episodic Short Form – Effects / Foley“The Mandalorian” Season 2: “Chapter 13: The Jedi” (Disney+) Supervising Sound Editor: David Acord, Matthew Wood Sound Effects Editors: Benjamin A. Burtt, J.R. Grubbs Foley Editor: Richard Gould Foley Artists: Ronni Brown, Jana Vance Outstanding Achievement in Sound Editing – Episodic Long Form – Music“The Queen’s Gambit”: “Adjournment” (Netflix) Music Editor: Tom Kramer Outstanding Achievement in Sound Editing – Episodic Long Form – Dialogue / ADR“The Queen’s Gambit”: “End Game” (Netflix) Supervising Sound Editors: Gregg Swiatlowski, Eric Hirsch Sound Designer: Wylie Stateman Dialogue Editors: Mary Ellen Porto, MPSE; Eric Hoehn Outstanding Achievement in Sound Editing – Episodic Long Form – Effects / Foley** TIE **“The Queen’s Gambit”: “End Game” (Netflix) Supervising Sound Editors: Gregg Swiatlowski, Eric Hirsch Sound Designer: Wylie Stateman, MPSE Sound Effects Editors: Patrick Cicero, James David Redding III, Leo Marcil, Eric Hoehn Foley Artist / Editor: Rachel Chancey “Star Trek: Picard”: “Et in Arcadia Ego, Part 2” (CBS All Access) Supervising Sound Editor: Matthew E. Taylor Sound Designers: Tim Farrell, Harry Cohen, MPSE Sound Effects Editor: Michael Schapiro Foley Editors: Clay Weber, Darrin Mann Foley Artists: Alyson Dee Moore, Chris Moriana Outstanding Achievement in Sound Editing – Single Presentation“A Christmas Carol” (FX) Supervising Sound Editor: Lee Walpole, MPSE Sound Effects Editors: Saoirse Christopherson, Tom Stewart, Andy Kennedy Dialogue Editor: Iain Wilkinson Foley Artists: Catherine Thomas, Anna Wright Music Editor: Cecile Tournesac Outstanding Achievement in Sound Editing – Non-Theatrical Animation Long Form“Mortal Kombat Legends”: “Scorpion’s Revenge” (Warner Bros. Animation) Supervising Sound Editors: Rob McIntyre, MPSE; D.J. Lynch Supervising ADR Editor: Mark A. Keatts, MPSE Sound Effects Editors: Lawrence Reyes, Roger Pallan, Ezra Walker Dialogue Editors: Mike Garcia, MPSE; Kelly Foley Downs, David M. Cowan, Patrick Foley Sound Designers: Marc Schmidt, Evan Dockter ADR Editors: Mark Mercado, Jon Abelardo Foley Editors: Roberto Allegria, Derek Swanson Outstanding Achievement in Sound Editing – Non-Theatrical Documentary“Laurel Canyon: A Place in Time”: “Episode 1” (EPIX/Amblin) Supervising Sound Editor: Jonathan Greber Sound Effects Editor: Lucas Miller Outstanding Achievement in Sound Editing – Non-Theatrical Feature“The Ultimate Playlist of Noise” (Hulu) Supervising Sound Editor: Odin Benitez, MPSE Supervising ADR Editor: Ryan Briley Sound Designer: Russell Topal, MPSE Foley Editor: Rustam Gimadlyev Foley Artists: Bogdan Zavarzin, Natalia Syeryakova Music Editor: Katerina Tolkishevskaya Outstanding Achievement in Sound Editing – Computer Cinematic“The Last of Us Part II” (Sony Interactive Entertainment) Supervising Sound Editor: Shannon Potter Sound Effects Editors: Patrick Ginn, Kyle Bailey, Michael Finley, Chad Bedell, Eric Paulsen, Keith Bilderbeck, Jim Diaz Foley Artists: Dawn Fintor, Alicia Stevenson Audio Director: Robert Krekel Sound Designers: Justin Mullens, Beau Jimenez, Neil Uchitel, Jesse Garcia, MPSE; Michael Marchisotto Supervising Music Editors: Rob Goodson, Scott Shoemaker Music Editors: Anthony Caruso, Tyler Crowder, Sonia Coronado, Adam Kallibjian, Adam Kallibjian, James Zolyak, Ted Kocher, Scott Bergstrom, Tao-Ping Chen Outstanding Achievement in Sound Editing – Computer Interactive Game Play“The Last of Us Part II” (Sony Interactive Entertainment) Audio Director: Robert Krekel Supervising Sound Editor: Shannon Potter Supervising Dialogue Editor: Maged Khalil Ragab Supervising Music Editors: Rob Goodson, Scott Shoemaker Sound Designers: Neil Uchitel, Beau Jimenez, Justin Mullens, Jesse Garcia, MPSE; Michael Marchisotto, Derek Brown, Jordan Denton Dialogue Editors: Grayson Stone, Julius Kukla, Thomas Barrett, Jaime Marcelo, Erik Schmall, Duncan Brown, Cesar Marenco Foley Editor: Eolyne Arnold, MPSE Sound Effects Editors: Patrick Ginn, Michael Finley, Kyle Bailey Music Editors: Anthony Caruso, Tyler Crowder, Tao-Ping Chen, Sonia Coronado, Adam Kallibjian, Samuel Marshall, James Zolyak, Ted Kocher, Scott Bergstrom Foley Artists: Dawn Fintor, Alicia Stevenson Outstanding Achievement in Sound Editing – Animation Short Form“Baba Yaga” (Baobab Studios) Supervising Sound Editor: Scot Stafford Sound Designers: Andrew Vernon, Jamey Scott, MPSE Sound Effects Editor: Brendan Wolf Music Editor: Rex Darnell Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)“The Unknown” (The National Film and Television School) Supervising Sound Editor: Yin Lee Sound Designer: Yin Lee Read original story ‘Greyhound,’ ‘Tenet’ Win at Motion Picture Sound Editors’ Golden Reel Awards At TheWrap